A wonderful sense of being consumed, this is what the Vigeland mausoleum offers its unprepared first-time visitor. But the feeling does not fade through repetition. On the contrary, I’d say. As if the knowledge of what awaits you heightens rather than diminishes this overwhelming sensation. And I guess that’s why so many visitors keep coming back: they want to be devoured again. And again. And again. And isn’t that what drives us, repeatedly, toward art in any form, the dream—however often it leads to disappointment—of being overpowered, shocked, overcome by horror and joy, the stubborn dream of becoming one with the object in question, melting into it, rather than standing at a distance watching it, analyzing it, evaluating it, in other words: the dream of being swallowed, digested, and spat out again, presumably dizzy, definitely shaken, thoroughly and utterly confused, as we re-enter the so-called real world?