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Mauricio Kagel's <br><i>Die Stücke der Windrose</i>

Mauricio Kagel's
Die Stücke der Windrose

Reviewed by Paul Kilbey

Colonialism is a numinous presence hanging over Die Stücke der Windrose. It is as if conquistadors have seized all the natives’ compasses and twisted them out of shape. That the cycle began with “East” is no coincidence: it is perhaps the most straightforwardly ironic number. This catalog of orientalisms takes in jaunty Turkish bells, sinuous augmented seconds, klezmer-style clarinet solos and a vampy Hungarian dance, and while these disparate elements are arranged with skill, “East” is a composition cut through with a deliberate sense of randomness that exposes the Western vision of the East for the tacky knock-off that it is. . . .