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Julius Eastman's <br><i>Femenine</i>

Julius Eastman's

Review by Ian Maleney

What is Femenine’s relationship to time? Can we say it constructs with or submits to time? Morton Feldman said that to construct with time, to create music with a surface, was to let time be—not to parcel it out as you wish, but just to let it be. Eastman putting a clock on stage seems to say something else: we might very well let time be, but time will never do the same for us. When our time is up, it’s up.