Reviewed by Margaret Grabar Sage
A small figure strolls across the page at the start of each section of QWERTY Invectives, accompanied by its shadow. Each drawing has a different physique, different clothing, and sometimes a prop (a stroller, a cane, a dog), but their shadows hang dark and large, distorting their bodies into funny and sinister new shapes. These little drawings may be the least significant detail in the whole cahier, but they are also exquisite reflections of the text that surrounds them. Besides, Éric Chevillard is not one to dismiss insignificant details. QWERTY’s sections are defined and organized by topic, yet what we get each time is an entertaining and revealing distortion. Chevillard, as commanding and hilarious as always, is constantly shifting his grip on reality—not losing his mind, but finding it in the most unexpected places.