Reviewed by William Dougherty
In his later years, Radulescu was a prolific recording artist, and after 1993, with the support of various ensembles and festivals, released a new CD of his works on average annually. As with the 2007 album, Radulescu closely supervised these recordings, often performing on or conducting them himself. (He was one of the sound icon players on the aforementioned disc.) Radulescu went so far as to make his presence at rehearsals and recording sessions a contractual obligation for access to his scores—and with good-reason, since his scores often contain notational ambiguities that require clarification or even, when it comes to certain extended techniques, physical demonstration. But this hands-on approach, while ensuring that interpretations would be close to Radulescu’s heart, had a devastating flaw: it relied too heavily on the composer’s physical presence.