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• Ben Ratliff
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• Bradley Harrison
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• Brent Hayes Edwards
  • Feb 11, 2020 Brent Hayes Edwards Introduces Joseph Jarman’s Black Case Feb 11, 2020
• Brian Evenson
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• Caio Camargo
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• Cam Scott
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• Camilla Hoitenga
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• Charles-Ferdinand Ramuz
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• Chase Elodia
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• Eric Chevillard
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  • May 25, 2020 Éric Chevillard’s “Sine Die”: Humor’s Herd Behavior May 25, 2020
  • May 21, 2020 Éric Chevillard’s “Sine Die”: Reinventing Pound Cake May 21, 2020
  • May 18, 2020 Éric Chevillard’s “Sine Die”: The Pretext of Physical Fitness May 18, 2020
  • May 14, 2020 Éric Chevillard’s “Sine Die”: The Hothead and the Sage May 14, 2020
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  • May 7, 2020 Éric Chevillard’s “Sine Die”: Nature Takes Its Course May 7, 2020
  • Apr 30, 2020 Éric Chevillard’s “Sine Die”: Making Masks at Home Apr 30, 2020
  • Apr 27, 2020 Éric Chevillard’s “Sine Die”: Quarantine Journaling Apr 27, 2020
  • Dec 4, 2017 Peter and the Wolf: Short Prose by Éric Chevillard Dec 4, 2017
  • Sep 10, 2017 Autofiction: Short Prose by Éric Chevillard Sep 10, 2017
• Christiane Craig
  • Aug 14, 2014 Gravity and Light: Kaija Saariaho's La Passion de Simone Aug 14, 2014
• CJ Evans
  • Apr 24, 2014 The Genius of Clarice Lispector Apr 24, 2014
• Clemens J. Setz
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• Clément Mao-Takacs
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• Cynthia Haven
  • Apr 4, 2019 Who Is the Enemy?: A Conversation with Dubravka Ugrešić Apr 4, 2019
  • May 19, 2016 A Conversation with Lena Herzog May 19, 2016
• Damjan Rakonjac
  • Feb 26, 2015 Henryk Górecki’s Loud Silence Feb 26, 2015
• Dan Bilawsky
  • Jun 25, 2015 On Creating Art and Connecting: Joe Locke’s Love Affair with Language Jun 25, 2015
• Dan Gunn
  • Jun 14, 2019 A Eulogy for George Craig Jun 14, 2019
• Daniel Levin Becker
  • Aug 7, 2014 Beaux Absents: On Inventorying What Does Not Exist Aug 7, 2014
• Daniel Saldaña París
  • Jun 2, 2016 The Discovery of America: A Story by Daniel Saldaña París Jun 2, 2016
• David Auerbach
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• David Grubbs
  • Aug 4, 2016 Tony Conrad: Skantagio, an Appreciation Aug 4, 2016
• David Harrington
  • Jan 22, 2015 The Blossom from the Darkness: David Harrington on Kaija Saariaho's Nymphéa Jan 22, 2015
• David Menestres
  • Feb 2, 2017 Restless Minimalism:
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• Taylor Davis-Van Atta
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  • Mar 13, 2014 A Conversation with Victoria Polevá Mar 13, 2014
• Deborah Levy
  • Sep 15, 2016 Ann Quin and Me: An Appreciation by Deborah Levy Sep 15, 2016
• Declan O'Driscoll
  • Jun 24, 2014 An Interview with Barry Guy Jun 24, 2014
  • Jun 23, 2014 An Interview with Maya Homburger Jun 23, 2014
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• Diego Azurdia
  • Aug 6, 2020 A Conversation with Carlos Fonseca Aug 6, 2020
• Dominic Lash
  • Mar 17, 2016 The Loneliness of the Nearly Inaudible Bass Player: A Performer’s Reflections Mar 17, 2016
• Doyle Armbrust
  • Mar 19, 2015 Anna Thorvaldsdottir’s Exquisite Solitude Mar 19, 2015
• Efrén Ordóñez
  • Sep 19, 2019 A Conversation with Guadalupe Nettel Sep 19, 2019
• Ellen Hinsey
  • Apr 10, 2018 The Sign of Speech: A Conversation with Tomas Venclova Apr 10, 2018
• Elodie Olson-Coons
  • Apr 18, 2019 Writing is Movement: A Conversation with Claude Ber Apr 18, 2019
  • Nov 1, 2017 L’écriture est mouvement : une conversation avec Claude Ber Nov 1, 2017
  • Nov 12, 2015 With Every Sound: Barbara Hannigan and the Art of Witnessing Nov 12, 2015
• Emily Cooke
  • Jun 29, 2015 Three Letters from Alejandra Pizarnik to León Ostrov Jun 29, 2015
• Emily Hoffman
  • Jan 30, 2014 On Adapting László Krasznahorkai’s Animalinside Jan 30, 2014
• Enrique Vila-Matas
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• Esther Kinsky
  • Feb 15, 2018 vii / morţi: prose by Esther Kinsky Feb 15, 2018
• Eugene Ostashevsky
  • Apr 27, 2021 A Conversation with Lucia Ronchetti Apr 27, 2021
  • Nov 16, 2020 A Conversation with Elizabeth T. Gray, Jr. Nov 16, 2020
• Fernanda Melchor
  • Jan 23, 2020 Fernanda Melchor Accepts the 2019 Anna Seghers-Preis Jan 23, 2020
• G.C. Waldrep
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• Galina Rymbu
  • Feb 2, 2016 Eugene Ostashevsky Introduces Three Poems by Galina Rymbu Feb 2, 2016
• George Craig
  • Jun 21, 2019 Writing Beckett’s Letters Jun 21, 2019
• George Grella
  • Apr 28, 2016 On the Outside, Looking Out:
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  • Sep 28, 2015 All These Are the Days My Friends: Ostrava Days 2015 Sep 28, 2015
• George Szirtes
  • Jan 7, 2016 Two Poems by George Szirtes Jan 7, 2016
• Gerald Murnane
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• Gidon Kremer
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  • Jun 2, 2015 Masks and Faces: Gidon Kremer on the Artist amid Global Unrest Jun 2, 2015
• Greg Gerke
  • Jan 30, 2020 Full Orchestration: Rediscovering Patrick White Jan 30, 2020
• Heidi Hart
  • Mar 7, 2017 Gaps and Tatters: The Poetry of Uljana Wolf Mar 7, 2017
• Hilary Plum
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• Ian Dreiblatt
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• Ida Lødemel Tvedt
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• Ivan Ilić
  • Oct 29, 2015 Away from the Big Cities: Morton Feldman interviewed by Jean-Yves Bosseur Oct 29, 2015
  • Sep 22, 2015 Listening to Morton Feldman's
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• Jan Wilm
  • Apr 23, 2020 An Excerpt from Jan Wilm’s A Year of Winter Apr 23, 2020
• Jason Grunebaum
  • Mar 26, 2015 A Conversation with Uday Prakash Mar 26, 2015
• Jeff Bursey
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• Jennifer Croft
  • May 22, 2015 The City and the Poet: Alejandra Pizarnik in Buenos Aires May 22, 2015
• Jeremy M. Davies
  • Mar 22, 2018 Chevillard’s Dog: a story by Jeremy M. Davies Mar 22, 2018
• Jesse Ruddock
  • Jun 16, 2016 “Bringing the Evil Things Out”: Notes on Abdellah Taïa Jun 16, 2016
  • Oct 30, 2014 A Conversation with Avishai Cohen Oct 30, 2014
• Joan Brooks
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• Joanna Walsh
  • Dec 8, 2015 Writing in a State of National Emergency: on Dubravka Ugrešić Dec 8, 2015
• José Vergara
  • Mar 22, 2021 A Conversation with Alisa Ganieva Mar 22, 2021
• Jáchym Topol
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• Katy Derbyshire
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• Keenan McCracken
  • Sep 11, 2014 A Conversation with Richard Powers Sep 11, 2014
• Kevin Laskey
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• Kevin Sun
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  • Jul 21, 2015 Every Single Tree in the Forest: Mark Turner as Seen by His Peers, Part One Jul 21, 2015
• Kolin Jordan
  • Feb 13, 2014 Cuttings from Mario Bellatin's Flowers Feb 13, 2014
• Lutz Bassmann
  • May 13, 2015 From Lutz Bassmann's The Eagles Reek May 13, 2015
• Lydia Davis
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• Madeleine LaRue
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  • Nov 20, 2017 Waiting Translations: A Conversation with Kate Briggs Nov 20, 2017
  • Apr 21, 2016 Coal Dust Is Also Nature: A Conversation with Isabel Fargo Cole Apr 21, 2016
• Maria Dimitrova
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• Mark Haber
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• Mark Mazullo
  • Aug 25, 2016 Uri Caine Defended by a Devotee Aug 25, 2016
• Martha Anne Toll
  • Jul 9, 2020 The Stephen Hough Interview Jul 9, 2020
• Martin Ebel
  • Apr 11, 2019 “I Consider Myself Terribly Overrated”: A Conversation with Peter Bichsel Apr 11, 2019
• Mary Mann
  • Nov 21, 2016 “Words Ain't What They Used to Be”: A Conversation with Bernard Cooper Nov 21, 2016
• Matthew Spellberg
  • Dec 22, 2015 The Crucifixion of Kent:
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  • Jun 4, 2015 Four-and-Twenty Bluebeards, Baked in a Pie: On the Laws of Operatic Space-Time Jun 4, 2015
• Mauro Javier Cárdenas
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  • Dec 12, 2013 Conversations with László Krasznahorkai Dec 12, 2013
• Max Erwin
  • Apr 13, 2017 KULTURMESSIAH:
    Patrick Frank and the Roads to Freedom Apr 13, 2017
• Maya Vinokour
  • Nov 28, 2017 The Voices of Linor Goralik Nov 28, 2017
• Medardo Fraile
  • Apr 9, 2015 “Child’s Play” by Medardo Fraile Apr 9, 2015
• Daniel Medin
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  • Oct 12, 2017 A Conversation with Unsuk Chin Oct 12, 2017
  • May 18, 2015 A Conversation with Dubravka Ugrešić May 18, 2015
• Matt Mendez
  • Jun 30, 2016 Writing towards Music: A Conversation with Paul Griffiths Jun 30, 2016
• Michael Barron
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  • Apr 2, 2015 Michael Barron’s Brief History of Tape Apr 2, 2015
  • Jun 3, 2014 An Interview with Music & Literature Jun 3, 2014
• Michael Kelleher
  • Sep 13, 2018 A Conversation with Chus Pato Sep 13, 2018
  • Sep 13, 2018 Unha Conversa con Chus Pato Sep 13, 2018
• Mira Rosenthal
  • Jun 6, 2019 A Conversation with Tomasz Różycki Jun 6, 2019
• Nairi Galstanian
  • Jan 16, 2014 A Conversation with Tigran Mansurian Jan 16, 2014
• Naja Marie Aidt
  • Aug 13, 2015 Naja Marie Aidt's Everything shimmers Aug 13, 2015
  • Jan 13, 2015 Naja Marie Aidt Presents Stig Sæterbakken Jan 13, 2015
• Nathanaël
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• Nell Pach
  • Oct 2, 2014 The Magic Virtual Realism of Can Xue's The Last Lover Oct 2, 2014
• Paul Griffiths
  • Nov 21, 2018 Paul Griffiths Previews György Kurtág’s Fin de partie Nov 21, 2018
  • Mar 22, 2017 I went to the house but did not enter: a text by Paul Griffiths Mar 22, 2017
  • Nov 11, 2014 Graal théâtres: Paul Griffiths on Kaija Saariaho, Florence Delay, and Jacques Roubaud Nov 11, 2014
• Paul Grimstad
  • May 28, 2015 Notes on Louis Andriessen, Stravinsky, and The Apollonian Clockwork May 28, 2015
• Paul Kerschen
  • Apr 16, 2015 Sour, Salty, Bitter, Spicy, Sweet: On Can Xue and Five Spice Street Apr 16, 2015
  • May 1, 2014 Krasznahorkai’s Pilgrimages May 1, 2014
• Pelin Başcı and Craig Epplin
  • Sep 6, 2018 A Conversation with Ece Temelkuran Sep 6, 2018
• Peter Bichsel
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• Rebecca Lentjes
  • Feb 6, 2015 Robert Ashley, Giordano Bruno, and the Infinity of the Everyday Feb 6, 2015
• Reif Larsen
  • May 8, 2014 On Space & Place May 8, 2014
• Riccardo Benedettini
  • Jun 9, 2016 A Conversation with Ágota Kristóf Jun 9, 2016
• Rodrigo Hasbún
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• Samuel Cottell
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• Sarah Gerard
  • Apr 10, 2014 The Hilda Hilst Roundtable Apr 10, 2014
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  • Feb 18, 2016 Unearthing Erotic Genius: On Rut Hillarp and Swedish Modernism Feb 18, 2016
• Gabor Schein
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• Sofia Samatar
  • Mar 12, 2020 The Space of Writing: A Conversation with Amina Cain Mar 12, 2020
• Spencer Matheson
  • Jul 5, 2018 A Conversation with Dan Tepfer Jul 5, 2018
• Stefano Nardelli
  • Jul 16, 2020 Mise en abyme: An Artistic Biography of Lucia Ronchetti Jul 16, 2020
• Stig Sæterbakken
  • Oct 23, 2014 Sacred Tears: An Essay by Stig Sæterbakken Oct 23, 2014
• Susanne Frank, Vladislav Overchuk, and Hannah Wagner
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• Sydney Boyd
  • May 28, 2018 Being Human: Beauty and Terror in Hans Tutschku’s nighttime songs from afar May 28, 2018
• T Fleischmann
  • May 22, 2019 An Excerpt from Time is the Thing a Body Moves Through by T Fleischmann May 22, 2019
• Tommy McCutchon
  • Jun 1, 2017 Unlimited Americana:
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• Tyler Goldman and Christine Wunnicke
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• John Vincler
  • Mar 26, 2019 A Conversation with Danielle Dutton Mar 26, 2019
• Alyson Waters
  • Oct 26, 2017 A Conversation with Éric Chevillard Oct 26, 2017
• Adrian Nathan West
  • Jul 6, 2017 A Conversation with Lydie Salvayre Jul 6, 2017
• Whitney Curry Wimbish
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• Will Alexander
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• Yevgenia Belorusets
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• Zsófia Bán
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• Éric Chevillard
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