• Issues
  • Reviews
  • Features
  • Events
  • Purchase
  • Index

Music & Literature

  • Issues
  • Reviews
  • Features
  • Events
  • Purchase
  • Index

Index of Features


    • Apr 26, 2018 Patterns of Erosion: A Conversation with Andrea Scrima Apr 26, 2018
    • Nov 20, 2017 Waiting Translations: A Conversation with Kate Briggs Nov 20, 2017
    • Apr 21, 2016 Coal Dust Is Also Nature: A Conversation with Isabel Fargo Cole Apr 21, 2016
    • Dec 22, 2015 The Crucifixion of Kent:
      Life and Work of an American Sculptor, Part Two
      Dec 22, 2015
    • Dec 15, 2015 The Crucifixion of Kent:
      Life and Work of an American Sculptor, Part One
      Dec 15, 2015
    • Jun 4, 2015 Four-and-Twenty Bluebeards, Baked in a Pie: On the Laws of Operatic Space-Time Jun 4, 2015
    • Nov 21, 2018 Paul Griffiths Previews György Kurtág’s Fin de partie Nov 21, 2018
    • Mar 22, 2017 I went to the house but did not enter: a text by Paul Griffiths Mar 22, 2017
    • Nov 11, 2014 Graal théâtres: Paul Griffiths on Kaija Saariaho, Florence Delay, and Jacques Roubaud Nov 11, 2014
    • Jul 14, 2016 A Conversation with Anna Della Subin Jul 14, 2016
    • Apr 2, 2015 Michael Barron’s Brief History of Tape Apr 2, 2015
    • Jun 3, 2014 An Interview with Music & Literature Jun 3, 2014
    • Apr 18, 2019 Writing is Movement: A Conversation with Claude Ber Apr 18, 2019
    • Nov 1, 2017 L’écriture est mouvement : une conversation avec Claude Ber Nov 1, 2017
    • Nov 12, 2015 With Every Sound: Barbara Hannigan and the Art of Witnessing Nov 12, 2015
    • Dec 8, 2020 An Excerpt from Aphasia by Mauro Javier Cárdenas Dec 8, 2020
    • Dec 12, 2013 Conversations with László Krasznahorkai Dec 12, 2013
    • Apr 16, 2015 Sour, Salty, Bitter, Spicy, Sweet: On Can Xue and Five Spice Street Apr 16, 2015
    • May 1, 2014 Krasznahorkai’s Pilgrimages May 1, 2014
    • Jun 24, 2014 An Interview with Barry Guy Jun 24, 2014
    • Jun 23, 2014 An Interview with Maya Homburger Jun 23, 2014
    • Mar 15, 2017 Before and After Gods and Cities: Ian Dreiblatt on Lewis Freedman Mar 15, 2017
    • Jul 24, 2014 Arvo Pärt’s Hazy Chasms Jul 24, 2014
    • Jun 16, 2016 “Bringing the Evil Things Out”: Notes on Abdellah Taïa Jun 16, 2016
    • Oct 30, 2014 A Conversation with Avishai Cohen Oct 30, 2014
    • Aug 13, 2015 Naja Marie Aidt's Everything shimmers Aug 13, 2015
    • Jan 13, 2015 Naja Marie Aidt Presents Stig Sæterbakken Jan 13, 2015
    • Nov 18, 2016 A Message of Thanks from Gidon Kremer Nov 18, 2016
    • Jun 2, 2015 Masks and Faces: Gidon Kremer on the Artist amid Global Unrest Jun 2, 2015
    • Jul 23, 2015 Every Single Tree in the Forest: Mark Turner as Seen by His Peers, Part Two Jul 23, 2015
    • Jul 21, 2015 Every Single Tree in the Forest: Mark Turner as Seen by His Peers, Part One Jul 21, 2015
    • Oct 29, 2015 Away from the Big Cities: Morton Feldman interviewed by Jean-Yves Bosseur Oct 29, 2015
    • Sep 22, 2015 Listening to Morton Feldman's
      For Bunita Marcus
      Sep 22, 2015
    • Apr 28, 2016 On the Outside, Looking Out:
      Alex Mincek
      Apr 28, 2016
    • Sep 28, 2015 All These Are the Days My Friends: Ostrava Days 2015 Sep 28, 2015
    • Apr 4, 2019 Who Is the Enemy?: A Conversation with Dubravka Ugrešić Apr 4, 2019
    • May 19, 2016 A Conversation with Lena Herzog May 19, 2016
    • May 18, 2017 Anna Thorvaldsdottir: A Part of Nature May 18, 2017
    • Oct 25, 2016 “Cut to a Different World”: Andrew Norman Oct 25, 2016
    • Sep 20, 2018 A Conversation with David Bertrand Sep 20, 2018
    • Jul 12, 2018 A Conversation with Linda May Han Oh Jul 12, 2018
    • Sep 13, 2018 A Conversation with Chus Pato Sep 13, 2018
    • Sep 13, 2018 Unha Conversa con Chus Pato Sep 13, 2018
    • Apr 27, 2021 A Conversation with Lucia Ronchetti Apr 27, 2021
    • Nov 16, 2020 A Conversation with Elizabeth T. Gray, Jr. Nov 16, 2020
    • Nov 26, 2013 An Interview with Steven Moore Nov 26, 2013
    • Aug 14, 2014 Gravity and Light: Kaija Saariaho's La Passion de Simone Aug 14, 2014
    • Oct 23, 2014 Sacred Tears: An Essay by Stig Sæterbakken Oct 23, 2014
    • Nov 11, 2013 The Three Archives of Gerald Murnane Nov 11, 2013
    • Jan 16, 2014 A Conversation with Tigran Mansurian Jan 16, 2014
    • Jan 30, 2014 On Adapting László Krasznahorkai’s Animalinside Jan 30, 2014
    • Feb 13, 2014 Cuttings from Mario Bellatin's Flowers Feb 13, 2014
    • Oct 2, 2014 The Magic Virtual Realism of Can Xue's The Last Lover Oct 2, 2014
    • Feb 27, 2014 Living Inside and Outside Jason Rohrer's Passage Feb 27, 2014
    • Mar 27, 2014 A Conversation with Barry Guy Mar 27, 2014
    • Apr 10, 2014 The Hilda Hilst Roundtable Apr 10, 2014
    • Apr 24, 2014 The Genius of Clarice Lispector Apr 24, 2014
    • May 8, 2014 On Space & Place May 8, 2014
    • May 22, 2014 A Conversation with Mary Ruefle May 22, 2014
    • Jul 10, 2014 Chico Buarque, Brazil's Malandro and Icon Jul 10, 2014
    • Aug 7, 2014 Beaux Absents: On Inventorying What Does Not Exist Aug 7, 2014
    • May 26, 2016 Every Cripple Has His Own Way of Walking: A Story by Ann Quin May 26, 2016
    • Sep 11, 2014 A Conversation with Richard Powers Sep 11, 2014
    • Sep 25, 2014 A Conversation with Kaija Saariaho Sep 25, 2014
    • May 29, 2015 Declan Spring Introduces Can Xue May 29, 2015
    • Nov 18, 2014 The Flute Music of Kaija Saariaho: A Personal History Nov 18, 2014
    • Dec 4, 2014 A Conversation with Dan Gunn Dec 4, 2014
    • Nov 20, 2014 A Conversation with Inka Parei Nov 20, 2014
    • Mar 6, 2015 A Conversation with Youssef Rakha Mar 6, 2015
    • Jan 22, 2015 The Blossom from the Darkness: David Harrington on Kaija Saariaho's Nymphéa Jan 22, 2015
    • Feb 6, 2015 Robert Ashley, Giordano Bruno, and the Infinity of the Everyday Feb 6, 2015
    • Feb 26, 2015 Henryk Górecki’s Loud Silence Feb 26, 2015
    • Mar 26, 2015 A Conversation with Uday Prakash Mar 26, 2015
    • Mar 19, 2015 Anna Thorvaldsdottir’s Exquisite Solitude Mar 19, 2015
    • Apr 9, 2015 “Child’s Play” by Medardo Fraile Apr 9, 2015
    • Apr 30, 2015 Hatred of Translation Apr 30, 2015
    • May 3, 2016 The Future: Enrique Vila-Matas in Guadalajara May 3, 2016
    • May 13, 2015 From Lutz Bassmann's The Eagles Reek May 13, 2015
    • May 15, 2015 On Composing and Collaborating with Antoine Volodine May 15, 2015
    • May 22, 2015 The City and the Poet: Alejandra Pizarnik in Buenos Aires May 22, 2015
    • May 28, 2015 Notes on Louis Andriessen, Stravinsky, and The Apollonian Clockwork May 28, 2015
    • Jun 25, 2015 On Creating Art and Connecting: Joe Locke’s Love Affair with Language Jun 25, 2015
    • Jun 29, 2015 Three Letters from Alejandra Pizarnik to León Ostrov Jun 29, 2015
    • Aug 25, 2016 Uri Caine Defended by a Devotee Aug 25, 2016
    • Dec 10, 2015 At the Source: Dave Panichi's Life in Jazz Dec 10, 2015
    • Dec 8, 2015 Writing in a State of National Emergency: on Dubravka Ugrešić Dec 8, 2015
    • Jan 7, 2016 Two Poems by George Szirtes Jan 7, 2016
    • Mar 22, 2018 Chevillard’s Dog: a story by Jeremy M. Davies Mar 22, 2018
    • Feb 2, 2016 Eugene Ostashevsky Introduces Three Poems by Galina Rymbu Feb 2, 2016
    • Feb 18, 2016 Unearthing Erotic Genius: On Rut Hillarp and Swedish Modernism Feb 18, 2016
    • Mar 17, 2016 The Loneliness of the Nearly Inaudible Bass Player: A Performer’s Reflections Mar 17, 2016
    • Jul 13, 2017 Signifyin(g) with the Dead:
      Musical memorialization at John Coltrane’s Funeral
      Jul 13, 2017
    • Jun 2, 2016 The Discovery of America: A Story by Daniel Saldaña París Jun 2, 2016
    • Jun 9, 2016 A Conversation with Ágota Kristóf Jun 9, 2016
    • Jul 28, 2016 Keep in Touch: A Story by Zsófia Bán Jul 28, 2016
    • Aug 4, 2016 Tony Conrad: Skantagio, an Appreciation Aug 4, 2016
    • Sep 23, 2021 A Conversation with Agustín Fernández Mallo Sep 23, 2021
    • Sep 15, 2016 Ann Quin and Me: An Appreciation by Deborah Levy Sep 15, 2016
    • Nov 21, 2016 “Words Ain't What They Used to Be”: A Conversation with Bernard Cooper Nov 21, 2016
    • Feb 2, 2017 Restless Minimalism:
      Lexical Music and the
      Text-Sound Compositions of Charles Amirkhanian
      Feb 2, 2017
    • Apr 23, 2020 An Excerpt from Jan Wilm’s A Year of Winter Apr 23, 2020
    • Mar 7, 2017 Gaps and Tatters: The Poetry of Uljana Wolf Mar 7, 2017
    • Apr 4, 2017 A Conversation with Eugene Ostashevsky Apr 4, 2017
    • Apr 13, 2017 KULTURMESSIAH:
      Patrick Frank and the Roads to Freedom
      Apr 13, 2017
    • May 25, 2017 Toward Marzahn:
      A Story by Bae Suah
      May 25, 2017
    • Jun 1, 2017 Unlimited Americana:
      A Conversation with Halim El-Dabh
      Jun 1, 2017
    • Aug 17, 2017 A Conversation with Georgi Gospodinov Aug 17, 2017
    • Sep 14, 2017 A Conversation with Mark Turner Sep 14, 2017
    • Nov 28, 2017 The Voices of Linor Goralik Nov 28, 2017
    • Dec 20, 2017 He Covers the Waterfront: The Music of Duane Andrews Dec 20, 2017
    • Feb 15, 2018 vii / morţi: prose by Esther Kinsky Feb 15, 2018
    • Apr 10, 2018 The Sign of Speech: A Conversation with Tomas Venclova Apr 10, 2018
    • May 28, 2018 Being Human: Beauty and Terror in Hans Tutschku’s nighttime songs from afar May 28, 2018
    • May 29, 2018 On the Piano Etudes of Unsuk Chin: prose by Clemens J. Setz May 29, 2018
    • Jul 5, 2018 A Conversation with Dan Tepfer Jul 5, 2018
    • Sep 6, 2018 A Conversation with Ece Temelkuran Sep 6, 2018
    • Nov 1, 2018 Recollections of Stravinsky: Prose by C.F. Ramuz Nov 1, 2018
    • Dec 11, 2018 A Conversation with Mircea Cărtărescu Dec 11, 2018
    • Jan 29, 2019 “The Imperfect Enjoyment” of Translating the Scandalous Jan 29, 2019
    • Feb 21, 2019 It’s Punk to Be Eastern European: Jáchym Topol on His Homeland Feb 21, 2019
    • Mar 28, 2019 Stupidity Is Power: A Column by Peter Bichsel Mar 28, 2019
    • Apr 11, 2019 “I Consider Myself Terribly Overrated”: A Conversation with Peter Bichsel Apr 11, 2019
    • Apr 24, 2019 Language Seems to Stoke Itself: A Conversation with Sylvia Legris Apr 24, 2019
    • Apr 30, 2019 Yevgenia Belorusets: Two stories from Fortunate Fallings Apr 30, 2019
    • May 16, 2019 A Conversation with Paul Kerschen May 16, 2019
    • May 22, 2019 An Excerpt from Time is the Thing a Body Moves Through by T Fleischmann May 22, 2019
    • Jun 6, 2019 A Conversation with Tomasz Różycki Jun 6, 2019
    • Jun 14, 2019 A Eulogy for George Craig Jun 14, 2019
    • Jun 21, 2019 Writing Beckett’s Letters Jun 21, 2019
    • Sep 19, 2019 A Conversation with Guadalupe Nettel Sep 19, 2019
    • Oct 24, 2019 A Conversation with Christopher Cerrone Oct 24, 2019
    • Oct 10, 2019 A Conversation with Jon Fosse Oct 10, 2019
    • Jan 23, 2020 Fernanda Melchor Accepts the 2019 Anna Seghers-Preis Jan 23, 2020
    • Jan 30, 2020 Full Orchestration: Rediscovering Patrick White Jan 30, 2020
    • Feb 11, 2020 Brent Hayes Edwards Introduces Joseph Jarman’s Black Case Feb 11, 2020
    • Jul 21, 2020 A Tribute to Jacques Coursil Jul 21, 2020
    • Mar 12, 2020 The Space of Writing: A Conversation with Amina Cain Mar 12, 2020
    • May 4, 2020 Éric Chevillard’s “Sine Die”: The Pleasure of Canceling May 4, 2020
    • May 8, 2020 The Pianist at 75: Keith Jarrett & Digital Culture May 8, 2020
    • Jul 16, 2020 Mise en abyme: An Artistic Biography of Lucia Ronchetti Jul 16, 2020
    • Jun 18, 2020 Introducing Pierre Klossowski’s The Suspended Vocation Jun 18, 2020
    • Jul 2, 2020 Mary Ruefle: The Bergen Interview Jul 2, 2020
    • Jul 9, 2020 The Stephen Hough Interview Jul 9, 2020
    • Aug 6, 2020 A Conversation with Carlos Fonseca Aug 6, 2020
    • Feb 4, 2016 A Conversation with Galina Rymbu Feb 4, 2016
    • Mar 22, 2021 A Conversation with Alisa Ganieva Mar 22, 2021
    • Feb 1, 2022 A Map the Size of the Territory: Letters on Space and Literature Feb 1, 2022
  • Eric Chevillard
    • May 28, 2020 Éric Chevillard’s “Sine Die”: A Coronavirus Story May 28, 2020
    • May 25, 2020 Éric Chevillard’s “Sine Die”: Humor’s Herd Behavior May 25, 2020
    • May 21, 2020 Éric Chevillard’s “Sine Die”: Reinventing Pound Cake May 21, 2020
    • May 18, 2020 Éric Chevillard’s “Sine Die”: The Pretext of Physical Fitness May 18, 2020
    • May 14, 2020 Éric Chevillard’s “Sine Die”: The Hothead and the Sage May 14, 2020
    • May 11, 2020 Éric Chevillard’s “Sine Die”: Lachesis May 11, 2020
    • May 7, 2020 Éric Chevillard’s “Sine Die”: Nature Takes Its Course May 7, 2020
    • Apr 30, 2020 Éric Chevillard’s “Sine Die”: Making Masks at Home Apr 30, 2020
    • Apr 27, 2020 Éric Chevillard’s “Sine Die”: Quarantine Journaling Apr 27, 2020
    • Dec 4, 2017 Peter and the Wolf: Short Prose by Éric Chevillard Dec 4, 2017
    • Sep 10, 2017 Autofiction: Short Prose by Éric Chevillard Sep 10, 2017
  • Taylor Davis-Van Atta
    • Nov 27, 2020 A Conversation with John O’Brien Nov 27, 2020
    • Mar 13, 2014 A Conversation with Victoria Polevá Mar 13, 2014
  • Daniel Medin
    • Jan 22, 2019 A Conversation with Anat Cohen Jan 22, 2019
    • Oct 12, 2017 A Conversation with Unsuk Chin Oct 12, 2017
    • May 18, 2015 A Conversation with Dubravka Ugrešić May 18, 2015
  • Matt Mendez
    • Jun 30, 2016 Writing towards Music: A Conversation with Paul Griffiths Jun 30, 2016
  • Gabor Schein
    • Jun 12, 2014 Lake Weeds and Water-Lily Roots: Gábor Schein introduced by George Szirtes Jun 12, 2014
  • John Vincler
    • Mar 26, 2019 A Conversation with Danielle Dutton Mar 26, 2019
  • Alyson Waters
    • Oct 26, 2017 A Conversation with Éric Chevillard Oct 26, 2017
  • Adrian Nathan West
    • Jul 6, 2017 A Conversation with Lydie Salvayre Jul 6, 2017
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Music & Literature: a humanities journal

ISSN: 2165-4026

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A 501(C)(3) CHARITABLE ORGANIZATION

Est. 2012

Music & Literature, Inc., is a nonprofit organization devoted to publishing and promoting the work of underrepresented artists from around the world. Each print issue of Music & Literature assembles an international cast of writers and critics in celebration of three featured artists whose work has yet to reach its deserved audience. In addition to its flagship publication, Music & Literature offers robust coverage of the arts through its website and organizes premier live programming in cities around the globe, routinely collaborating with other cultural organizations and institutions to bring the work of its featured artists directly to audiences. The Music & Literature project is designed to meet the immediate needs of modern arts enthusiasts while enduring and becoming a permanent resource for future generations of readers, scholars, and artists.

Publisher & Editor
Taylor Davis-Van Atta

Senior Editor
Madeleine LaRue

Editorial Advisor
Daniel Medin

Poetry Editor
Eugene Ostashevsky

Design Editor
Camille Gajewski